After a lifeless stop, which feels like the finale, we get a reasonably long coda, and that is more daring harmonically. But if this piece has the delicacy of a Gil Evans score, Bigband forty four is a jazz samba extra harking again to the jazz of 20 years later (’64). After a wonderful piano solo introduction by Fred Lang, gentle brass mixtures move in to introduce the theme, adopted by a mellow tenor sax statement towards guitar counterpoint. This one is essentially interesting ensemble figures interspersed with nice sax solos.
- Modern music is heard in a bewildering profusion of