Strasbourg architect Luc Pfister transformed a cramped 48-square-meter apartment into a flexible, light-filled home without sacrificing personal style or storage. The 2019 renovation of his first-floor rental began with skepticism but soon revealed its potential: high ceilings, no structural partitions, and strong natural light.
Pfister shares the space with his partner Valentin, a flight attendant. Their schedules rarely align, so the design had to support two distinct routines while maximizing every inch. A €35,000 budget, help from friends, and a local builder made the project possible.
A floor-to-ceiling mirror near the entrance reflects light and creates the illusion of a larger area. Built-in shelving opposite the door holds shoes and jackets, while a pigeonhole above stores bike gear. Pfister’s old bicycle hangs nearby, and the electric box is hidden behind an art wall—a mix of photographs and a painting by an unknown New Zealand artist.
He values items for their personal meaning, not their worth. A small terrazzo-tiled platform conceals plumbing and serves as a playful “catwalk” in the entryway.
Adjustable shelving in the living room displays sentimental items, including a U.S. license plate from a past home and a childhood photo of his sister. A modest TV sits below to avoid overwhelming the small space. Double-glazed windows brighten the room and reduce noise, while sheer curtains balance privacy with natural light, keeping the nearby desk discreet.
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The kitchen features a large black IKEA unit as its backbone. A terrazzo splashback and carpenter-finished edges give it a custom look. Pfister often tells clients he uses IKEA at home but relies on a carpenter for finishes to achieve a tailored feel. The dining table, a 1990s IKEA hand-me-down, holds a vase from his grandmother and anniversary flowers, showing how mass-produced furniture can carry personal significance.
The same black unit extends into the bedroom as a large statement wardrobe, where long-term items are stored high above and daily essentials remain within reach. Each clothing category has its own designated spot, including belts.
Pfister’s approach wasn’t about minimalism. He keeps items with stories, like the IKEA table where his family gathers and the art that clashes but feels like home.
The apartment succeeds by balancing economical solutions with personal touches. It demonstrates how small spaces can work for real life, not just for photos.
Future projects may test whether Pfister can scale these ideas without losing the warmth that makes the apartment feel like more than a well-designed box.
